Gilded Maggots

If you’ve ever been face down in a creek and seen the twigs and grains of sand sprout legs and scuttle away from you, then you  you’re familiar with caddis fly larvae.  These little underwater worms glue dirty bits of the world around them together to form a shell. The ground moves, the perfect hiding place, they are clever but they are not pretty.

However, the mind of this worm is not only clever, it’s downright artistic. The shells that they make form little patterns and stripes. In a brain smaller then the dot of this i, the caddis fly possesses artistic intent.

And when put in more opulent environs they create jewelry

Conan and The Giant Sloth

I got the call Thursday, the 21st of January from NBC. “We need a full size Dinosaur Skeleton and we need it tomorrow.”

Conan had been doing sketches all week supposedly designed to cost the studio big cash as a comic form of revenge for his abruptly ended contract. He had previously claimed to “buy” an exotic sports car and a race horse. I’m glad to know that for his ultimate revenge he wanted a dinosaur. I know ever since I was 5 I wanted a revenge dinosaur. There’s a saying in my house, “revenge is a dish best served dinosaur”

The thing is, Dinosaurs are huge. We all know that, right, but we lose perspective on how big they are when we see them in a museum. I run a 5,000 square foot warehouse and an adult T-Rex is longer then my building and taller then my ceiling. And while the average millionaire has sports cars and horses to spare, unless you’re Nicholas Cage, you just don’t HAVE Dinosaurs laying around. I had a few smaller dinosaurs ready to go, including an 11 foot long Dimetrodon, but everyone knows Dimetrodon can’t hold the hose to spray the picasso with caviar. So that was out.

The wrong way to display fossils.

The right way to disply fossils

I was able to set aside a giant ground sloth that was about to be installed in a museum, but he had the weekend free. It was a rental, not a purchase, from a prop shop, not the Smithsonian, and cost nowhere near the $65 million dollars they said on the air. The bones are not real, but they are a museum quality reconstruction. The skeleton we used now stands in some solemn museum hall somewhere, curators and patrons blissfully unaware of Mr. Sloth’s wild weekend.

He partied with all the audience and crew, and I’m proud to say may go down in history as the most monumentally absurd set piece ever used in a comedy sketch. We here at Dapper Cadaver are proud we got to contribute to such an epic episode.

We still have access to the molds and can do the same prop for anyone else who needs one.
Buy it now! It’s not $65 Million!

Halloween Decoration Scenarios 2: A Haunted House

Haunted House Decorations

Exterior: The Cemetery

Leading up to the doorway are dozens of gothic tombstones, strewn with moss and ivy. Amidst the headstones are larger more elaborate tombstones, sad faced angels, and the twisted branches of a tree screaming and half man. Set in folding chairs in the cemetery are a couple of decomposed corpse props enjoying the night air, playing cards and drinking booze. Around the doorway several rubber skeletons seem to be climbing the walls

Entryway: Fortune Teller

The first scenario guests come to in the Haunted House will be a fortune tellers parlor. Décor includes occult oddities such as the mystic hand, the hand of glory, phrenology head, fetal skeleton, cat skeleton, human skulls, Indonesian devils, the bust of a mourning widow and a severe bearded man, and several haunted portraits, whose vintage characters transform into ghosts and ghouls as people pass by. At the center table sits an actual fortune teller who welcomes guests, tells fortunes throughout the night, and tells the tale of the evenings cursed surroundings. The glowing light of plasma balls illuminates the room. An anamatronic fortune teller can be set up as well.

“This room is the very spot where 100 years ago the wicked young baron liked to torture his servants to death for sport. Dozens of poor indentured souls were brutally murdered and buried in the very floors and wall the guest now walk on. The Young Baron himself was never found, but his damned ghost now walks the halls.”

The opening to the rest of the party is through a curtain marked with signs such as “Beware” and “Haunted House”

Inside the House:

Inside the house is the scene of the horror, the room where the young baron tortured his victims. Hanging from the ceiling are several gibbet cages with spotlights pointed at them to cast an eerie criss-cross of shadows. Hooks and chains also hang from the walls and ceilings. The furniture all has chains and shackles coming off of it to hold victims in place. In the rafters hang ghosts of all sizes, large skull headed ghosts, medium ghosts with arms, and small ghosts that are little more than shrouded heads. Cobweb covered heads, screaming heads and reaching hands are coming out of the walls. Around the floor are gothic iron candelabras and on each table are prop bones, skulls, ribcages, and table top candelabras. A bloody ax hangs behind the bar, which has been outfitted with blacklights. The specialty of the house? Ectoplasm gin fizzes and Ectoplasm vodka fizzes. The drinks glow neon blue in the blacklight. Use tonic water in a vintage bottle or with a homemade label marked ectoplasm. The quinine in tonic water is the only food that naturally glows under blacklight. A cobweb covered skeleton in a bartenders uniform stands behind the bar. Another sits on a barstool, passed out drunk, his glass turned sideways and rubber blood leaking out. Behind the bar amidst the bottles are human body parts suspended in jars of glowing fluid and skulls that seem to float in the air.

Torture equipment such as guillotinesinterrogation chairs and stocks are set up so guests can have their last photos taken screaming in pain.

Everything in the main room is covered in cobwebs. Blood drips in the bathroom, and patrons find they often leave with blood on their hands, a trick done by powdering various items with magic blood powder, which looks invisible but turns to blood when wet.

The floor is littered with skull piles and lights flicker in the fog. A ghoulish butler stands guard, watching, breathing, laughing. Bat demons fly above.

Art of Bleeding Wednesday

Wednesday, July 15, 2009
MAGIC AMBULANCE THEATER At Peepshow Menagerie’s “Merry Maladies”

FLYER:
http://artofbleeding.com/maladies-webflyer.jpg

The Art of Bleeding performs “Staying Calm in Emergency Situations” at “Merry Maladies,” a special evening of medical burlesque hosted by Peepshow Menagerie. In this episode of Magic Ambulance Theater, RT THE ROBOT TEACHER and ABRAM THE SAFETY APE test opposing theories of mind control, subjecting THE ART OF BLEEDING NURSES to shameful experiments along the way. Also stopping in to shake their thermometers and drop their hospital gowns will be Peepshow Menagerie regulars and special guests including: DIZZY VON DAMN (Miss Viva Las Vegas 2008), RED SNAPPER, POLLY PEABODY,SCARLETT LETTER (Most Classic at the 2007 Boston Burlesque Expo), FEVER BLISTER, MISS ANGIE CAKES, IONA VIBRATOR, RED SONJA (from New York).

Bordello, 901 E. 1st St., Los Angeles, CA 90012, California
Doors 9pm, $10.

More on the Burlesque Beauties of “Merry Maladies”:
http://www.peepshowmenagerie.com/0709show.htm

** AoB in the NEWS
LA Weekly reviews “Fever”
http://www.laweekly.com/2009-06-18/music/proud-out-and-about/
Canadian Men’s Magazine Q&A on The Art of Bleeding
http://toromagazine.com/?q=node%2F1940
Lots of nice pix.  Learn the cultspeak of the Art of Bleeding compound!

** AoB FUTURE EVENTS
Saturday, Sept. 12, 2009
Details, TBA.
California Institute of Abnormal Arts (CIA), 11334 Burbank Blvd.,North Hollywood, California

** GORY DETAILS VIDEO SERIES

Stay tuned as later this summer, something like a children’s show shambles from The Art of Bleeding’s backyard studios.  Abram, RT, Dr. Moody, and the lovely, lovely Art of Bleeding nurses have been working all fall and winter!    Subscribe to our youtube channel today to be sure you catch all the episodes. youtube.com/artofbleeding

** ART OF BLEEDING ONLINE

YOUTUBE
youtube.com/artofbleeding

FACEBOOK
http://www.facebook.com/art.ofbleeding

MYSPACE
myspace.com/artbleeding (new primary account)
myspace.com/artofbleeding (with music downloads)

FLICKR GROUP
http://www.flickr.com/groups/1065773@N21/

ITUNES
“Music from the Magic Ambulance” available on iTunes!

Monster Mongers and Retailers of Other Strange Satellites 2 Art Show

Monster Mongers and Retailers of Other Strange Satellites 2

July 9-July 23, 2009

Opening Reception: Thursday July 9, 6-9 PM

compactspace is pleased to present “Monster Mongers and Retailers of Other Strange Satellites 2,” a group show which will showcase works by University of California, Irvine, 2009 MFA graduates in Studio Art—Arielle Bivas, Marcus Civin, Laurel Frank, kate hers, Dong Hoon Jun, Jared Nielsen Jen Smith, Sean Sullivan, Grant Vetter, Maya Weimer, and Morgan Wells. “Monster Mongers and Retailers of Other Strange Satellites 2”, a sequel to the very recent exhibition at LAXART, is a chance to see fresh and exciting artwork in an intimate setting in Downtown Los Angeles. The artists in this exhibition work in the disciplines of photography, video, performance, installation, sculpture, drawing, and painting, and engage with subjects that range from identity, language, and architecture, to the body, institution, and globalization.

Students from unique backgrounds and experiences seek out UCI’s rigorous three-year MFA program, which emphasizes experimental and interdisciplinary approaches to art making within an intellectual and theoretical framework.

Please visit www.mfa2009.org to preview work by the artists exhibiting in ““Monster Mongers and Retailers of Other Strange Satellites2” at compactspace.

Arielle Bivas’ video installations point to the imperfect translation of visceral sensations, recounting embodied memories and exploring intimacy and trauma.

Marcus Civin’s black-and-white photographs, reminiscent of silent film intertitles, express and echo the sympathies of soldiers, the language of officers, and the taunts of thirsty herders and tightfisted farmers. Civin sometimes uses these photographs as props in his new performance, “Bounty”. At compactspace, viewers can spend time with the photographs as an installation of texts.

The sculpture and installation pieces of Laurel Frank rework the use of artifice as it pertains to issues of infectious taste and synthetic pleasures in an economy of excess. Frank’s engagement with rocks as tropes of class position double as a short hand for achieving the American dream, i.e., harnessing the wild frontier, domesticating nature, moving mountains!

kate hers combines Hegel’s notion of Other as it relates to self-perception with Edward Said’s post-colonial Other.  While living in Berlin, hers compels herself to stop speaking any other language besides German, a language she cannot speak fluently. She performs a daily diary in front of her video camera. (This diary was later uploaded to her website.) Das deutschsprachliche Projekt examines aspects of identity, confidence, self-worth, and personality that are bound up in language.

Dong Hoon Jun’s photographs and videos balance humor and melancholy, consider how to be human within institutional architectural gestures, and find brief moments when certain gestures—whether physical or intellectual—can suggest a hidden world of fancy or fantasy.

Jared Nielsen is constructing a postsustainable future from the shit pile of the present.

Jen Smith uses handicraft and domestic materials to re-imagine the pomp and ceremony of wartime banners ? shuffling the letters of “Mission Accomplished” into new texts such as “Cold Icon Piss Shammie” and “Oh Dismal Cosmic Penis.” In video and photographic work, such as “The Wound and the Voice,” Jen explores the erotics of heroic mythologies, as exemplified in photographs from Abu Ghraib.

Through highly detailed and pristinely rendered drawings, Sean Sullivan, directs the gaze to contemporary nature morte. His work describes the impasse between population explosion and limited resources.

The abstract paintings of Grant Vetter consider American abstraction intertwined with a culture of violence. Vetter uses paint to imitate the look and texture of torn flesh, to allude to the tragic conditions of the current “war on terror,” and to the history of oppression related to the American military industrial complex.

Maya Weimer’s videos create new representations of diasporic and postcolonial identities. “New Seoul Cartographies,” a poetic meditation on South Korea’s national re-addressing initiative, maps memory, history, place and displacement.

Morgan Wells is a multidisciplinary artist who uses a never-ending list of materials that create a unique combination of different artistic ideologies. With a distinct sense of humor, his artworks are built around monumental installations that act as both a constructed space, and as a singular object.

compactspace is located at 105 E 6th Street next to Pussy and Pooch

Los Angeles, CA 90014

T. (626) 676-0627 (contact: Glenna Jennings)

www.compactspace.com

compactspace is open Wednesday through Saturday 11am – 6pm.

compactspace Los Angeles and its sister space in Geneva, Switzerland are part of the compactspace collective started 2003 in Berlin. compactspace Los Angeles opened 2004 in LA’s Pico-Union district and has recently re-located to historic downtown LA, where they promote a multi-media arts program that mainly features emerging and mid-career artists. compactspace LA is made possible by the contributions of the University of California, San Diego Visual Arts Department.

Monster Monday: Happy Fathers Day! 12 Best Horror Dads

Today a very special Monster Mondays looks at the famous fathers of monsterdom. As a soon to be dad, I’m interested in what each of these earthbound abominations can teach me about what makes a good parent, and what makes an unholy creature of the night.

Monsters are ranked in order of parenting skills.

12. Dr. Victor Frankenstein.
While I normally live my life by the motto WWVFD? when it comes to parenting the good doctor is about as bad as it gets. After creating a man out of corpses, he neglects to name it, insults its looks, abandons it, and then hunts it down to kill it. It’s clear in the book and many of the movies that the monster sees Victor as his father, and since the Doctor never gave him a proper name, the family name of Frankenstein is absolutely correct as the only name of the creature. Frankenstein deniers say the only Frankenstein was Victor, a statement the Dr would find a relieving since it takes up his position of denying the creature its family and humanity. “Frankienstein’s Monster” my ass. And if that wasn’t bad enough, Dr. Frankenstein is no more capable of parenting when it’s his own flesh and blood and not a reanimated corpse. Son of Frankenstein, Barron Wold Frankenstein, is alienated and spiteful of his father, who was always more a mad scientist then a family man.

11. The Mask.
I know nobody saw the Son of the Mask, but we all know it doesn’t have Jim Carry in it. So there’s that. Then there’s Ace Ventura Jr, which also doesn’t have Jim Carry in it. So together I can only assume that all of Jim Carry’s characters knock up anonymous women in the first movie then vanish before the monster in shortpants is born. Upcoming movies also featuring the bastard children of Carry: Sons of the Cable Guy, Dumbest Baby, Riddler on Ritalin, and Eternal Sushine on a Spotless Diaper.

10. Jack Torrance (From the Shining)
It’s an easy mistake to make. Take the kid on a work trip. It’ll be great, the boy can watch daddy do what he does, which in this case is more drinking then writing, and it’ll be a good chance to bond, which in this case means chasing him with an ax before freezing to death in a hedge maze. Another lesson learned, always do background checks on children’s entertainers. The last thing anyone wants to see is the guy in the bear suit going down on some old banker.

9. Humanoids from the Deep
Mutated fish men always want human women, whether it’s the Creature from the Black Lagoon, Abe Sapiens from Hellboy or Link from Monsters vs Aliens. But while Abe had class, Link was kids stuff, and the bathing beauties in Creature were all carp-teases, only Humanoids actually shows what fishmen want our women for. In a word, breeding. Lots of gratuitous breeding.  The result of the Humanoids cross breeding was a hideous monster, but I think they’re just using fish on female rape to try and create mermaids. Also the Creature Jr. recorded a calypso track back in the 50’s that’s worth checking out.

8. Face Hugger

Typical, in the world of aliens and people, the queen gets all the credit for parenting and seldom do we stop to appreciate the faceless father.  In both his anatomy and behavior the face hugger seams like nothing more then a teenage boy, a brainless male, nothing but hands and penis, choosing people at random and sticking  his ovipositor in their throat, then running away, never to be seen again.  Now, aliens being a good family movie, they never actually show the ovipositor, but the creature designs make it clear this is man-junk being crammed down your throat. Early concept sketches were even more explict. Implicitly NSFW

7.Dr Moreau

Parents often make the mistake of thinking their child is just a minature version of themselves, and Dr Moreau proves just how creepy that can be. Dr. Moreau’s other children are mutant human hybrids that he tries to control and/or transcend their true nature with drugs and electrical punishment. His lack of recognition of his children’s own identities, and the fact that hes a drugged up looney and they’re tortured manimal monsters, leads to him being killed by a valuable lesson.

6. Gizmo

Gizmo is the reactionary father. His love is great, but it is not unconditional. If you piss him off, or turn out different from how he wanted, he will hunt you down and fucking kill you. Granted, mogwis are cute and gremlins are hideous monsters, but they’re still his kids. Gizmo seems out of his league when it comes to parenting, like he’d rather be friends with his kids then their dad. He skips over fatherly advice, tough love, and spankings and instead goes from friend to doormat to child murderer. But how can I stay mad at that cuddly face?

5. Dracula

Dracula does everything with class and excess, and fatherhood is no different. He is the big love vampire, with 3 wives, a crush he follows across the continent and a floozy he messes around with on the way. All that lovin is boundto produce a legacy, or in his case a lega-she. Dracula’s first and finest child is his daughter, Countess Marya. She inherits her dads class and charm, as well as flair for fashion, good looks, and imense power. Her younger brother is a much dimmer bulb of the bunch, going by the name Count Alucard and figuring no one will notice its Dracula spelled backwards. Dracula seems to be the only fertile vampire in the world, able to produce offspring through sex instead of just creating more vampires through feeding. In Van Helsing Drac’s almighty seed produce not a sexy daughter and an idiot son, but a hord of bat winged vampirlings who even from infancy he comands as his unholy army of conquest. That’s parenting.

4. Father McGruder (from Dead Alive)

Father McGruder starts the film as quite possibly the greatest holy man the cinema has ever filmed. When zombies start rising from the cemetery at this priests parish, he leaps into the undead thick of things with a mighty battle cry of “I kick ass for the Lord” and starts laying out zombies with Kung Fu. Inevitably he’s overpowered and becomes a zombie himself, but now freed from his vow of chastity he seduces a zombie nurse and they soon have a zombie baby. This makes him a rare, double father, or priest with a bastard, and as a bonus, zombie priest with zombie bastard. Father shows genuine affection for both his baby mama and the undead brat, and even though he can’t leave the basement where his shackled, gets a human to nanny his child and take him to the park where he can chase dogs and eat them.

3.Godzilla

Godzilla seems to be an awesome father, attentive, protective, fun on trips to the city, but I’m not quite sure if he should be on the list. I mean, sure, He’s always called the King of Monsters, but he’s a King who lays eggs and likes to snuggle. Is Godzilla actually a She-la monster?

2. Grandpa Munster

Like Dracula, to whom Grandpa is somehow related, the senior Munster is also an excellent father figure. Like Drac, he’s also blessed with a hot daughter, but he one ups his more famous fiend by raising 2 generations of monsters, and adopting the abandonned Frankenstein Monster, who now goes by the name Herman. We all know what a horrible upbringing Frankenstein had, so it’s no surprise that he takes his wifes maiden name upon marriage and is known from then on as Herman Munster.

1. Gomez Addams

Lots of dads get “Worlds Greatest Dad” t-Shirts, but only Gomez Addams actually deserves it. Sorry every other dad. Unless you can check off every single one of the following father qualities, you’ll always be in Gomez’s shadow : Fatherly advice, striped suit, let chldren play in his electric chair, paternal muostache, buried family members in the back yard, stogie, bug eyes, millions of dollars, and he didn’t just let his kids get away with murder, he encouraged it.

Comments? Questions? Monster dads left out? Post comments here

Monster Mondays – Celtic Halloween Spirits

Earlier I wrote on Celtic origins of Halloween and the important changes that took place with the Holiday in America. Today for Monster Mondays I’m going to look at the early Monsters of Celtic Halloween. The traditional holiday bears little resemblance to the Halloween we know now. It was not a celebration of death, horror, and thrills, but a harvest festival and new years eve celebration. The most important practices involved fortune telling, making predictions for the coming year, and it was believed that on this day ordinary rules did not apply, and souls, spirits, and fairies could be present on earth.  Most descriptions of what souls,spirits, and fairies visit earth are rather vague, but a few specific supernatural creatures are named. As is usually the case, the first at the party are the first to go, and I don’t think I’ve ever seen any of the Celtic Halloween monsters doing the Monster Mash or out trick-or-treating.

Cailleach Bheur -Also known as Cally Berry (no relation to Hallie Berry), Old Woman Winter, The Blue Hag, The Storm Hag, and The Veiled One. In all respects, the Cailleach is a god and not a monster. She is the embodiment of winter reborn every Samhain/Halloween and turned to stone, or to a tree, or to a young woman every Beltane. Her staff can freeze anything with a touch and she is the gaurdian of the animals. Some say she carvedthe Mountains of Scotland with a hammer and pick. She once fell asleep while pumping a well, flooding the valley and killing hundreds. That valley is now Loch Awe.

Aillen Trechenn, The Three Headed Monster.  Also known as the Ellén Trechend. It emerges from it’s cave every Halloween to wreck havoc. It laid Ireland to waste with it’s fire breath and was killed not once but twice, by the heroes Amergin and Fion Mac Comhaill. Despite it’s appearance being an annual event and multiple heroes claiming to kill it. There’s a lot of disagreement on what it was. Somesay a three headed dragon, others a beast, others a bird, and some say it was not one but a whole swarm of three headed things.

Hwch Ddu Gota -The black swine or specteral pig. Some say this pig was the embodiment of the Devil. Long past midnight when the raging Bonfires of Halloween died down to embers, the black swine would be born from those embers to catch and murder any drunkards still lagging about at the festival. The ultimate blow off.

Stingy Jack – For the scoop on Stingy Jack, see my previous post on the origin of Trick or Treating

Cutty Sark is the nickname given to the sexy witch in Robert Burns’ classic1790  narrative poem Tam O’Shanter. The poem is not about Halloween per se, but at the same time sets a template for the American version of Halloween to come. Burns does have a poem called Halloween but it is much more in the Celtic Tradition of Bonfires, New Years, and Story telling, and little about the ghastly celebration we know as Halloween.

Tam O’Shanter however tells of a Scotsman out drinking (shocking right?) well past the witching hour. When he finally leaves the pub the streets are alive with horrors and the undead. He sneaks to the center of the horrors where he finds the devil himself dancing with a coven of witches. In their macabre merriment they cast off their clothes, but because they are all old hags,Tam nearly loses his lunch. In their midst though is one beautiful young witch wearing a “Cutty Sark” which I’ve found translated as short skirt, low cut top, or underwear. What ever she was wearing, it was given to her as a child and was now barely containing her bursting woman hood.  Tam got so excited he hollared out, as drunks are prone to do at sexy women,  and set the devil and all his witches chasing him.

Dancing, drinking, horrors and sexy costumes. Sounds like the Halloween I know.

Cutty looks good for being 219 years old.

From Tam O’Shanter

Inspiring bold John Barleycorn!
What dangers thou canst make us scorn!
Wi’ tippenny,
[ale] we fear nae evil;
Wi’ usquabae, [whiskey]
we’ll face the devil!
The swats sae ream’d in Tammie’s noddle,
Fair play, he car’d na deils a boddle,
But Maggie stood, right sair astonish’d,
Till, by the heel and hand admonish’d,
She ventur’d forward on the light;
And, wow! Tam saw an unco sight!

Warlocks and witches in a dance:
Nae cotillon, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock bunker in the east,
There sat auld Nick, in shape o’ beast;
[the devil]
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He screw’d the pipes and gart them skirl,
Till roof and rafters a’ did dirl. –
Coffins stood round, like open presses,
That shaw’d the Dead in their last dresses;
And (by some devilish  cantraip leight)
Each in its cauld hand held a light.
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes, in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a rape,
Wi’ his last gasp his gabudid gape;
Five tomahawks, wi’ blude red-rusted:
Five scimitars, wi’ murder crusted;
A garter which a babe had strangled:
A knife, a father’s throat had mangled.
Whom his ain son of life bereft,
The grey-hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name wad be unlawfu’.
Three lawyers tongues, turned inside oot,
Wi’ lies, seamed like a beggars clout,
Three priests hearts, rotten, black as muck,
Lay stinkin, vile in every neuk.

As Tammie glowr’d, amaz’d, and curious,
The mirth and fun grew fast and furious;
The Piper loud and louder blew,
The dancers quick and quicker flew,
The reel’d, they set, they cross’d, they cleekit,
Till ilka carlin swat and reekit,
And coost her  duddies to the wark,
[cast off her clothes]
And linkit at it in her sark!
[lookin’ at her nekkid]

Cutty Sark became a popular motif for the figureheads of boats, then the name of the Clipper ship with the Cutty Sark masthead, then finaly the scotch whiskey with the clipper ship on the label. It’s the perfect scotch for drinking until you face the devil.

Setting the Scene: Decorations for 5 Haunted Halloween Scenarios

The following are some of the suggestions we give anyone setting up a Halloween Party or Haunted House. Props we can provide are linked. All Halloween props are available for sale or rental. Email BJ at BJ@Dapppercadaver.com for a quote or more Haunt scenarios and suggestions. Note the importance of actors, timing, drama, and atmosphere as well as props and effects. Be sure to add eerie lighting and sounds!

Scene 1: The Dinning Room:
A long table is set with piles of bloody body parts and partial human corpses. Gothic tabletop candelabras sit on the table and 5 foot tall floor candelabras are around the sides. On the walls are hung changing portraits, grotesque taxidermy and bloody curtains. A vulture perches on one chair, a decomposed skeleton in another. Platters are covered in small bits, eyes, fingers, tongues. Other plates are piled with intestines, hearts and livers. Two actors sit at the table in costume feasting on edible brains, hands, hearts, and faces, instead of silverware they use dissection instruments. Another actor or animatronic is on the table moving and screaming.

Scene 2: Butcher shop
The butcher is an actor in a long white butchers coat with a black butchers apron over top. His apron is strung with a variety of wicked looking steel autopsy instruments. In his hands he has a real chainsaw which still works, but the chain has been removed so it cannot cut. Hanging in chains from the ceiling are several hooks, skinned animals, a half pig, a skinned goat, a half person, a skinned person, a full corpse, and several human limbs. The walls are hung with blood splattered plastic curtains. On a chopping block is a meat grinder with a human hand sticking out the top and ground beef coming out the front. He menaces the crowd as actors behind the plastic curtains reach bloody hands out through slits and beg for help. A row of axes hangs on the wall. Animated heads rotate in torture boxes.


Scene 3: Old Hospital/ Asylum
A Mad Doctor experimenting on patients. The doctor is an actor in a long white lab coat. He holds a steel pistol syringe with a retractable fake needle and has a reflector on his head. Another actor is bound in chains and cuffs to a vintage insane asylum bed. An equally vintage autopsy pump sits beside the patient. Shelves around the scene hold several specimen jars which glow under blacklight. Also on the shelves are plasma balls flickering with lightning effects, human skulls, and the mounted skeletons and mummies of strange creatures. A full size 2 headed skeleton stands beside them. An IV bag filled with blacklight responsive fluid hangs from an IV stand. An large x ray light box covered in x rays glows in the background.

Scene 4: Tribal Headhunters
Scene is a jungle with hut. Head hunter is an actor with a headdress made of lightweight skulls and feathers. His necklace is a variety of small skulls and bones. He holds a large plastic machete and a spiked club. Shrunken heads, severed heads, chickens and skulls hang everywhere. Heads on stakes dot the background. Bright Indonesian devils sit on pedestals. In the foreground a charred body rotates on a spit.

Scene 5: Graveyard
Scene is a graveyard, a few dozen tombstones rise from the ground, amid them a large angel, and 3 large obelisks stand. On the ground is an old wooden coffin, and a pile of dirt and a shovel. In the dirt several bones and body parts can be seen sticking out. A grave digger stands, with a steel bonesaw in his hands. His belt is strung with human hands, rotted hands, and skeletal hands all wearing gawdy jewelry. He opens the casket and inside is the mummy-like corpse of an old woman, decked out in pearls, gold and rings. This would be a good scene to work in an animatronic coffin popper. Grave digger can also interact with the crowd by trying to sell rings with the fingers still inside. Crows and vultures perch on the stones and in the trees. Rats are on the ground. Low lying fog creeps over everything. Moss hangs from everything.

You're Invited To Drawing Blood at Dapper Cadaver Thursday June 4th


On Thursday June 4th, I’d like to invite you to Dapper Cadaver’s first free after hours art event, “Drawing Blood”

WHAT: Drawing Blood – Once a month, The Dapper Cadaver Prop House opens its studios in the evening for a free evening where artists of all kinds are invited to come by and use our unique collection of props, oddities, scientific specimens and equipment, and Halloween decor as models for their art. Sketching, illustration, painting, sculpting and more are encouraged. Props can be artfully arranged to suit your needs. Coffee and snacks will be provided. Most evenings will be free form, but check out our mailing list and blog for info on special nights featuring live models and special instructors. Email me if you’re interested in modeling or instructing. Commercial photography and video not allowed.

BRING: All your own art supplies. We have some chairs and stools but if you need one you may want to bring your own. Any food or drink.

WHEN: 6:30pm -10:00pm, the first Thursday of each month.
March 5th / April 2nd / May 7th / June 4th / July 2nd / August 6th / Sept 3rd / Oct 1st / Nov 5th / Dec 3rd

WHERE: Dapper Cadaver Prop House.
7572 San Fernando Rd, Los Angeles, CA, 91352 (near Burbank)
North side of San Fernando Rd (Little San Fernando Rd), Across the tracks from Sofa U Love.

CONTACT:
BJ Winslow
bj@dappercadaver.com
818-771-0818

MORE INFO
http://www.dappercadaver.com
http://www.bjwinslow.com
http://www.dappercadaver.com/blog

Best regards,
BJ Winslow
Owner-Artist
Dapper Cadaver
NEW PHONE # 818-771-0818
CELL PHONE # 310-709-8691
NEW ADDRESS 7572 San Fernando Rd, Sun Valley, CA, 91352
http://www.bjwinslow.com
http://www.dappercadaver.com

Images from the March 5th Drawing Blood